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Fast Company
November 2011 |
Martin Scorsese On Chuck Tatum Worn-out reporter Chuck Tatum sees a big score in the plight of a trapped miner, and he schemes to tragic effect as he tries to milk the story for everything it's worth.   |
Fast Company
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Martin Scorsese On William Friese Greene The life story of Friese-Greene, one of several men who could claim the mantle of "inventor of the motion picture." |
Fast Company
November 2011 |
Martin Scorsese On Boris Lermontov Since his art must come above all, Boris Lermontov forces ballerina Victoria Page into a tragic choice between love and her career. |
Fast Company
November 2011 |
Martin Scorsese On Robert Altman The great thing about Robert Altman, was that whether he was lauded or hated by the critics, nothing stopped him. And the films were personal and not like any other films right to the very end. |
Fast Company
November 2011 |
Martin Scorsese On Tony Hunter Long past his heyday, song-and-dance man Troy Hunter pairs up with a modern ballerina and an avant-garde director to put on a career-saving show. |
Fast Company
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Martin Scorsese On John Cassavetes John Cassavetes wiped away the old vocabulary of doing films. |
Fast Company
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Martin Scorsese On Michael Powell And Emeric Pressburger Martin Scorsese describes how Michael Powell and Emeric Pressburger changed cinema through bold risks. |
Fast Company
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Martin Scorsese On Roberto Rossellini Roberto Rossellini changed cinema three times. |
Fast Company
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Martin Scorsese On Orson-Welles Orson-Welles was a force of nature that came in, a creation that wiped the slate clean from the type of films that preceded him. |
Salon.com
March 29, 2002
Stephanie Zacharek |
Billy Wilder, 1906-2002 He had zero tolerance for fools, but he trusted his audience completely -- and we trusted him back... |
