| Similar Articles |
|---|
 |
Fast Company
November 2011 |
Martin Scorsese On Robert Altman The great thing about Robert Altman, was that whether he was lauded or hated by the critics, nothing stopped him. And the films were personal and not like any other films right to the very end.   |
Fast Company
November 2011 |
Martin Scorsese On John Lloyd Sullivan The depth of John Lloyd Sullivan's commitment to the exercise is tested regularly and comically - before a shock brings him to an utterly unexpected conclusion. |
Fast Company
November 2011 |
Martin Scorsese On Boris Lermontov Since his art must come above all, Boris Lermontov forces ballerina Victoria Page into a tragic choice between love and her career. |
Fast Company
November 2011 |
Martin Scorsese On Chuck Tatum Worn-out reporter Chuck Tatum sees a big score in the plight of a trapped miner, and he schemes to tragic effect as he tries to milk the story for everything it's worth. |
Fast Company
November 2011 |
Martin Scorsese On Tony Hunter Long past his heyday, song-and-dance man Troy Hunter pairs up with a modern ballerina and an avant-garde director to put on a career-saving show. |
Fast Company
November 2011 |
Martin Scorsese On Michael Powell And Emeric Pressburger Martin Scorsese describes how Michael Powell and Emeric Pressburger changed cinema through bold risks. |
Fast Company
November 2011 |
Martin Scorsese On Roberto Rossellini Roberto Rossellini changed cinema three times. |
Fast Company
November 2011 |
Martin Scorsese On Orson-Welles Orson-Welles was a force of nature that came in, a creation that wiped the slate clean from the type of films that preceded him. |
Fast Company
November 2011 |
Martin Scorsese On John Cassavetes John Cassavetes wiped away the old vocabulary of doing films. |
