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Fast Company
November 2011 |
Martin Scorsese On Robert Altman The great thing about Robert Altman, was that whether he was lauded or hated by the critics, nothing stopped him. And the films were personal and not like any other films right to the very end.   |
Fast Company
November 2011 |
Martin Scorsese On Orson-Welles Orson-Welles was a force of nature that came in, a creation that wiped the slate clean from the type of films that preceded him. |
Fast Company
November 2011 |
Martin Scorsese On Michael Powell And Emeric Pressburger Martin Scorsese describes how Michael Powell and Emeric Pressburger changed cinema through bold risks. |
Fast Company
November 2011 |
Martin Scorsese On Roberto Rossellini Roberto Rossellini changed cinema three times. |
Fast Company
November 2011 |
Martin Scorsese On John Lloyd Sullivan The depth of John Lloyd Sullivan's commitment to the exercise is tested regularly and comically - before a shock brings him to an utterly unexpected conclusion. |
Fast Company
November 2011 |
Martin Scorsese On Boris Lermontov Since his art must come above all, Boris Lermontov forces ballerina Victoria Page into a tragic choice between love and her career. |
Macworld
September 2000
David Ferris |
Trends: The Digital Video Revolution Whether you're interested in documenting the kids or you're an aspiring filmmaker, affordable Macs with FireWire connections, DV camcorders, inexpensive storage, and software such as iMovie can help you create digital video more affordably than ever before. |
Salon.com
October 9, 2001
Janelle Brown |
Film to watch as we engage in war Despite strict censorship and a paucity of funds, Middle Eastern cinema illuminates the political and personal lives of people we now battle or befriend in the region... |
Fast Company
November 2011 |
Martin Scorsese On William Friese Greene The life story of Friese-Greene, one of several men who could claim the mantle of "inventor of the motion picture." |
BusinessWeek
April 2, 2007 |
James Cameron on the Cutting Edge The director of Terminator and Titanic explains how movies will be transformed by motion-tracking and 3D technology. |
Fast Company
April 2000
Amy Wilson |
Time for a Close-up Meet the "world's smallest" video camera. |
Fast Company
November 2011 |
Martin Scorsese On Chuck Tatum Worn-out reporter Chuck Tatum sees a big score in the plight of a trapped miner, and he schemes to tragic effect as he tries to milk the story for everything it's worth. |
Salon.com
October 31, 2002
Damien Cave |
Reel world domination If young film buffs choose Tarantino over Antonioni, are they culturally illiterate? Some of their elders, self-appointed guardians of the cinematic canon, think so. |
PC Magazine
October 5, 2004
Ben Z. Gottesman |
Know Your Camera Spot what you want to photograph, point your camera, and shoot. |
Fast Company
November 2011 |
Martin Scorsese On Tony Hunter Long past his heyday, song-and-dance man Troy Hunter pairs up with a modern ballerina and an avant-garde director to put on a career-saving show. |
InternetNews
March 19, 2004
Robyn Greenspan |
Phones Surpass Cameras for Digital Images Worldwide camera phone sales will lead digital camera sales roughly 3-to1 in 2004. |
Fast Company
March 2003
Anne Kreamer |
What Does It Take to Make a Great Movie? Meet Harvey Weinstein, cochairman of Miramax Films. |
Home Theater
June 2008
Kris Deering |
The Dirty Harry Collection--Warner Bros. (Blu-ray) The A/V presentations are everything you'd want from a series like this, and the extras package gives a great insight into the production and legacy of the series. A "must own" for fans. |
Fast Company
December 2005
Jena McGregor |
A Foreign Affair Global markets used to be an afterthought in Hollywood, but not anymore. |
Investment Advisor
April 1, 2009
Mike Patton |
Dealing with the Downturn "Business as usual" is not in my vocabulary during these extraordinary times. |
