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BusinessWeek November 18, 2010 |
Hard Choices: Richard Branson The British mogul on parting with his beloved Virgin Records to help save Virgin Airlines, and contemplating a merger with another carrier. |
Fast Company Alice Truong |
Move Over, Air Jordan: Celebrity-Branded Weed Is Here Come this time next year, dispensary shelves will have to make way for a new line of celebrity-branded marijuana strains. |
Entrepreneur November 2008 Mike Werling |
Branson: A Man of Many Milestones Richard Branson isn't defined by business or personal success. His life is a combination of both. |
Wired December 18, 2007 David Byrne |
David Byrne's Survival Strategies for Emerging Artists -- and Megastars What is called the music business today has became the business of selling CDs in plastic cases, and that business will soon be over. But there have never been more opportunities for artists to reach an audience. |
Fast Company September 2006 Alan Deutschman |
The Enlightenment of Richard Branson In a world where companies routinely bedevil customers, the Virgin chief is an angel, because he truly puts customers first. |
Fast Company January 2005 Marshall Goldsmith |
When the Golden Rule Doesn't Work Everybody isn't you. And everybody doesn't want to be managed the way you do. |
Salon.com June 14, 2000 Courtney Love |
Courtney Love does the math The controversial singer takes on record label profits, Napster and "sucka VCs." |
Fast Company April 2006 Alyssa Danigelis |
Fast Talk: Sounds of the Future Digital music is a many-splendored thing - and it's more than just the iPod. Everyone from major labels to individual artists is experimenting. What's next - and why is Madonna sure to be a part of it? |
Search Engine Watch May 6, 2004 Chris Sherman |
All Music, All But Invisible The All Music Guide is one of the most comprehensive, extensively cross-linked and easy to use musical resources on the web. It's also, unfortunately, largely invisible to search engines. |
AskMen.com Craig Mazin |
5 Things You Didn't Know About Record Deals The basic fact underlying recording contracts is that their terms tilt heavily towards the benefit of the labels, not the artists. Many of the terms border on swindling. |