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Wired
June 2002
Lawrence Weschler |
Why Is This Man Smiling? Digital animators are closing in on the complex system that makes a face come alive...   |
Popular Mechanics
January 2007
Tom Russo |
Movies 2.0: Digital Effects Magic Explained In today's digital Hollywood, cameras capture scenes in bits, not frames and computer wizards conjure up everything from impossible beasts to cliff-top battlegrounds. Film is dead. Long live the movies. |
Linux Journal
July 1, 2002
Robin Rowe |
GFX: Industrial Light & Magic Discussing the move to Linux on ILM's renderfarm: with speed and stability comes responsibility. |
Linux Journal
June 5, 2007
Robin Rowe |
DreamWorks Animation "Shrek the Third": Linux Feeds an Ogre DreamWorks Animation pushes the limits of CG filmmaking with Linux. |
Salon.com
May 18, 2001
Stephanie Zacharek |
"Shrek" Computer animation is a technological miracle. So why does it leave us cold? |
Lucire
February 24, 2013 |
Lights on Park City Sundance is a great opportunity for many independent filmmakers to receive recognition for their artistic ideas on the silver screen. |
Salon.com
July 13, 2000
Michael Sragow |
Building the perfect catastrophe A special-effects wizard for "The Perfect Storm" talks about crafting virtual victims (and heroes) and the evolution of computer graphics, from morphing to "The Matrix." |
The Motley Fool
March 7, 2011
Anders Bylund |
George Lucas Wants Disney's Core Customers How many sheriffs can you fit into Hollywood's Toontown? |
Lucire
March 15, 2014 |
Star-struck at Sundance Lola Saab looks back at this year's Sundance Film Festival, from the premieres to the celebrity lounges and parties |
Wired
May 2005
Jessie Scanlon |
The New Heart of the Empire Lucas built his 850,000-square-foot, $350 million gaming/film effects facility the same way he makes a movie - with a sweeping vision, an obsessive eye for detail, and a geek's reliance on computers. |
CIO
January 1, 2003
Stephanie Overby |
Virtual Stars Boffo in Tinseltown A new breed of actor is taking a star turn in Hollywood. They don't hide out in their trailers, check into rehab in the middle of a shoot or sleep with their costars. They do their own stunts, can shoot take upon take and don't require residuals. |
Linux Journal
August 2001
Robin Rowe |
DreamWorks Feature Linux and Animation The process and benefits of making animated movies with Linux... |
Fast Company
November 1999
Cheryl Dahle |
Xtreme Teams In the new world of business, all work is teamwork -- but very few teams work all that well. How do groups of ordinary people achieve extraordinary results? Learn from these extreme teams. Your team may never work the same again. |
Salon.com
May 24, 2001
Margot Mifflin |
"Shrek" is not Shrek! William Steig's subversive misanthropy is jettisoned for winking innuendo in the movie version of his children's book... |
IEEE Spectrum
April 2011
Susan Karlin |
Masi Oka: Acting Like a Nerd The graphics programmer and "Hawaii Five-0" actor channels his inner geek |
CIO
November 15, 2001
Meridith Levinson |
Nixed for Linux The master of illusion in the entertainment industry, Industrial Light & Magic -- George Lucas's visual effects and 3-D animation studio -- is undergoing its own metamorphosis and sloughing off longtime partner SGI in the process... |
Salon.com
July 14, 2000
Kathleen Sharp |
Storming Hollywood Wolfgang Petersen, director of "The Perfect Storm," wanted to cast Mel Gibson instead of George Clooney, and is "perfectly fine" with Salon's chilly review of his blockbuster. |
