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BusinessWeek
February 17, 2011
Warwick Thompson |
Next Life: Tenor Colin Lee The former Ernst & Young auditor ditched a career in accounting to focus on opera   |
Reason
January 2009
Tim Cavanaugh |
The End Is Near Why does the land of plenty love dystopias? The late Frank Zappa's rock opera Joe's Garage now rises to that rare stratosphere of works applauded for their prescience when the future itself arrives. |
Wired
June 26, 2007
Sonia Zjawinski |
Gorillaz Frontman Goes Ape Over Opera Monkey: Journey to the West, a high-concept opera which includes circus acrobats and martial artists, chronicles a globe-trotting primate's evolution from street chimp to enlightened hero. |
IDB America
February 2007
Christina MacCulloch |
A Hundred Years of Song and Passion In Buenos Aires, the legendary Teatro Colon opera house gets a face lift for its 100th anniversary. |
Smithsonian
November 2005
Stephen Hastings |
35 Who Made a Difference: Renee Fleming The soprano is renowned for her beguiling voice and presence. |
Wired
September 2005
Jonathon Keats |
The Epic, Tragic, Operatic Inside Story of Doctor Atomic Maverick composer John Adams set off a chain reaction in the opera world with his explosive works on Nixon and the Middle East. Now he's taking on the father of the A-bomb. |
Bank Systems & Technology
July 1, 2005
James R. Belliveau |
OffLine: With John Johmann, VP, Media Relations & Advertising, Treasury Services, JPMorgan Chase (New York) A Night at the Opera: Banker shows his support for the arts. |
Fast Company
July 2004
Jennifer Vilaga |
A Day In The Life Of Work: Prima Donna For opera prompter Jane Klaviter, all the world's a stage -- and she has the best seat in the house. |
Reason
April 2003
Sara Rimensnyder |
Revolutionary Arts In the last year Tijuana has made headlines in U.S. papers not as a place to get drunk cheap and buy (and use) Viagra but as the home of a fledgling underground opera scene. |
Salon.com
October 11, 2000
Paul Festa |
Dead man singing "Dead Man Walking," the opera version, opens in San Francisco. Is it a misguided abuse of the genre -- or a radical reworking of operatic stagecraft? |
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